Saturday, February 27, 2010

Guest blog & Bring on the Night's 1st chapter debut!

Popping out of my prairie-dog hole for a moment to let you know that I'm giving away two signed sets of Wicked Game and Bad to the Bone over at the wonderful Plotmonkeys blog today.

The topic is teaser chapters and rewrites (yes, there's a connection). Buried in the blog post is the first glimpse of the entire opening chapter of Bring on the Night. All I can say is, don't kill me.

Speaking of Bring on the Night, I better get back to its copyedits. Lots of little changes, to all thirty-five chapters!

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Tuesday, January 19, 2010

Tidbit Tuesday #3

Thanks to everyone who donated and/or spread the word about last week's book giveaway to benefit Doctors Without Borders. Because of your generosity, we raised $600 plus 10 pounds sterling! I'll be sending out books ASAP.

I have a couple news items this week. I'm psyched to report that Christopher Pike's second Last Vampire compendium, Thirst 2, hit #1 on the New York Times bestseller list for children's paperbacks! Being a selfish person, the reason I'm psyched is because the volume has a sample chapter of Shade at the end.

Of course, my immediate thought when I saw the list wasn't, "How wonderful! Loads of readers will be introduced to Aura and her friends."

My immediate thought was, "Oh no! People will be coming by the website, and it's a mess!" Actually, the site itself is lovely (thanks, honey!), but some of the information was out of date. So I spent Sunday making it "company ready" so as not to embarrass myself in front of the two or three new visitors. Not that my loyal readers aren't worth a clean website. But you know how you don't clean your house as well for your mom and your best friend as you do for first-time visitors? It's kinda like that.

For instance, the home page and news page no longer say that my next appearance is Windycon, November 13-15. That is SO last year! (Literally.) The news page now even has my complete panel schedule for the RT Booklovers Convention in Columbus, Ohio, April 28-May 2.

The other news item can be found subtly listed on the books page. Book Four of the WVMP Radio series (tentatively titled Lust for Life) is now firmly scheduled for August 2011. Since the sequel to Shade, titled Shift, will be out in May 2011, that means I'll have the exact same release schedule two years in a row. Makes it easy for me to remember.

Speaking of Lust for Life, I'm not sure if that's going to be the title. I might save it for Book Five (if there ever is a Book Five--that's up to my publisher, or more precisely, up to readers to buy Bring on the Night in sufficiently large quantities this August). But it doesn't really fit Book Four anymore, now that I'm figuring out what the story is all about.

A couple weeks ago I wrote that I was going to try this new work scheme where I write 3,000 words a day five days a week and then took weekends off. It went swimmingly for about ten days, then I realized that I'd reached the point where I didn't really know what was going to happen next, I was just coughing up words like so many hairballs. The story was careening out of control.

I also realized I had one too many antagonists. In the process of yanking out the antagonist who belongs in the final book and not this one, I extracted more than 8,000 words. Clearly I was not going to make my word count goal ("-8,138" looks really bad on the spreadsheet.)

So I decided to take a step back, do some scene-by scene outlining for the first quarter of the book, and now I'm writing one scene a day (or two, if they're short simple scenes). That way I don't bloat up the book with endless dialogue just to make my word count.

I'll use this method until it stops working, and then I'll try something else. I envy writers who are able to follow the same process every time. Heck, I can't even sit in the same place in my house more than a week or two at a time before I need a change of scenery.

That's all for this week. I'm still grumpy from the Ravens game, so we're lucky I've gotten through this entire post without profanity.

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Tuesday, November 24, 2009

Music and the Muse - Wicked Game playlist

A few weeks ago several authors got together (online, of course--it's our usual habitat) and decided to do simultaneous blog posts on the topic of "Music and the Muse," inspired by the article of the same name in a recent issue of RWA's member magazine. We were supposed to show how music intersects with our writing.

I didn't know where to start. All of my contemporary fantasy books are built around music. It's an obsession of mine. So asking me to blog about music and writing is like asking Oliver Stone to blog about the 1960s.

For example, the creation of my first published novel, Requiem for the Devil, was sparked by a performance of Verdi's Requiem. In the book, Lucifer is (among other things) a virtuoso on the piano and violin, and his girlfriend Gianna is the guitarist for a Washington, DC riot grrl band called Public Humiliation. (My friend Greg helped me write the lyrics for their hit, "Dick for Day," the ultimate penis envy song.)

In my upcoming YA novel, Shade, the main character's boyfriend is the frontman for an up-and-coming Celtic-flavored punk band, the Keeley Brothers. When Logan dies and becomes a ghost, his love of music lives on (as does his craving for fame, and hey, who's more famous than a dead rock star?).

Then there are the vampire DJs. The WVMP Radio series was inspired by a song on the radio ("Bad Company," which was the original title for Wicked Game), and music is woven into the text, both in the background and as plot points.

Soooooo, what to blog about? I know! Last week at a book club meeting I received a question that's also been asked in several interviews:

In WICKED GAME, which came first, the playlist or the story?

A bit of background for new visitors (welcome, by the way!): In the front of Wicked Game, you'll find a list of songs called a "Playlist." This is not the kind of playlist you see on a lot of authors' sites, where they share the music that helped inspire the story, or that they listened to while they were writing it, or even that they imagine the characters would love and that would resonate with particular scenes. All of that is extremely cool, but it's not what I did.

The Wicked Game playlist is, rather, a list of songs that are mentioned in the actual text. My publisher asked me to compile it, and I was thrilled at the chance to spotlight some spectacular music.

The cool thing was, in several scenes I hadn't specified a song, only the artist. I might have written that Shane played a Led Zeppelin song on the guitar for Ciara during their romantic platonic picnic. But for the playlist I had to figure out which song would fit the scene and character best ("The Rain Song," which also has the advantage of being very playable on acoustic guitar, according to my husband).

The even cooler thing? I got this request during the copyedit stage, when I still had a chance to go back and change the text. So I actually added a song or two to give some scenes more texture.

For example, in one scene Ciara comes home to find Shane in her apartment, sorting her CDs (it's a thing for him). He's playing one of her (and my) favorite CDs, Liz Phair's Exile in Guyville, and the song in particular, "Flower," fits exactly with the way she feels about him, much to her chagrin. For readers familiar with the song, it adds another layer of subtext and maybe even a wee chuckle. (But I must warn you if you decide to Google the lyrics--they are not for the easily shocked.)

So by giving me the opportunity to share the playlist, my publisher allowed me to add some subtle finishing touches (to "decorate" the story, you might say) with a dab of this or that mood. Readers who want a deeper experience of the book can look up the songs (or better yet, visit the WVMP Music page and listen to the playlist themselves).

Oh, look, here it is, for your enjoyment (but you should still check out the WVMP Music page for the three other playlists. Just sayin'.):




Get a playlist! Standalone player Get Ringtones

Other Music & the Muse bloggers:

Bryan Bliss
R.R. Smythe
Marley DeLarose
Tara Kelly
Stephanie Kuehnert
Jennifer Linforth

What does music inspire you to do? Write? Paint? Dance? Kiss? Spend money on more, more, MORE music? Talk to me. I'll be traveling all day Tuesday, but I'll try to respond on Wednesday to any comments.

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Now playing: White Zombie - More Human than Human

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Thursday, November 05, 2009

Winner of THE EX-GAMES and the rundown on rewrites

The winner of Jennifer Echols's The Ex-Games is...van_pham!

There are still three remaining open Blogtoberfest contests, to win signed copies of:

PC Cast and Tempted (for a few more hours!)
Jeri Smith-Ready and an ARC of Shade
Rachel Vincent and My Soul to Take or My Soul to Save (winner's choice)

* * * *

As I mentioned earlier this week, I've started rewriting the third book in the vampire series, Bring on the Night, due November 30.

Okay, it's technically due December 7, BUT if I don't begin writing Book 4 on December 1, the entire house of cards that is my upcoming deadline schedule starts to collapse. Don't believe me? Here it is:

  • December-January: write rough draft of WVMP #4 (tentatively titled Lust for Life)
  • February: finish rough draft of Shift (the sequel to Shade)
  • March: write second draft of Lust for Life, due April 1
  • April-May: write second draft of Shift, due June 1 (oh, and launch a brand new series with a whole new audience, which will involve a lot of travel and interviews and guest blogs and the usual utterly delicious craziness)

So. November 30 it is.

Which makes explaining my rewrite process very neat, because it involves four separate stages:

Week One - Analysis/Planning

Goal: Figure out what's wrong with the book and how to make it right

Tools:

-Hard copy of manuscript
-Pen (color irrelevant)
-Books on making novels kick ass, including Writing the Breakout Novel and Fire in Fiction by Donald Maass, and Plot and Structure by James Scott Bell
-Loads o' pondering time.

NOTE: pondering can often bear an eerie resemblance to one of the following:
1) walking the dog
2) showering
3) staring into space
4) napping

Week Two - The Rewrite
Goal: Fix big issues, like:

-subplot makes no sense
-other subplot makes no sense
-my editor, my beta readers, and I all hate one of the main characters with the venom of a 1,001 vipers

While all three applied to an early version of Bad to the Bone (buy me a drink one day and I'll tell you about Gwendolyn Huff the half-pookha *shakes head with disgust*), none of these is the case with Bring on the Night.

So I can relax next week, right? Wing off to Windycon for a long weekend of hobnobbing and poker-playing?

No, because as solid as the story is, it could still be better. It could be bigger. The villain could be much less mustache-twirly (not saying the villain has a mustache, regardless of gender) and actually feel deep conflict over his or her dastardly deeds.

Good enough is never good enough. I repeat, with bold italic fancy-fonted spectacle, GOOD ENOUGH IS NEVER GOOD ENOUGH. (OK, I don't actually have any fancy fonts for this blog.)

Tools:

- Marked-up manuscript
- Notebook full of unorganized blatherings, pages dog-eared until I've entered the scribbles into a file with some semblance of order
- Laptop disconnected from internet
- Coffee

Notice that showers are not mentioned here.


Week 3 - Revisions
Goal: Picking up the pieces

The previous week, many new scenes were written and many old scenes were cut. So Week 3 begins with a read-through to see if it all hangs together. Usually there are some rough transitions that need to be smoothed out, or I'll wake up in the middle of the night realizing that a really important question was raised in Chapter 24, and then the characters just sort of...forgot about it.

Tools:
-same as rewrite, but with more coffee

Also note lack of showers.

Week 4 - Final polish
Goal: make the prose shine, so that every sentence skewers the reader's eyeball and bursts inside their brain with the brilliance of a six-pack of supernovae

Tools:
-highlighters in the following colors: blue, yellow, green, pink
-red rollerball pen
-part of brain that if unleashed every day would have me medicated for Obsessive-Compulsive Disorder

What's with all the different colors? I once took an online workshop with author/trainer/psychologist Margie Lawson called Deep Editing. Part of the process is to break down the different elements of one's writing: dialogue, actions, description, interior thoughts, and visceral gut feelings. Each one gets its own color, so you can look at a page at a glance and figure out what's missing. (You can also work on each element separately--I do this especially with actions, which tend to be repetitive in early drafts.)

Margie thinks my class work paid off, because she used a few samples from Wicked Game to illustrate some Deep Edits principles. To me, there was no greater compliment.

So that's what I'll be doing the week of Thanksgiving. I'll probably have to shower at some point for the holiday.

Whew! There you have it. Of course, this is just how I work. Others I'm sure do it differently, and there's no right or wrong way. But I like to learn about other people's processes (unless they're really quick and easy, and then I just want to maim them), because I can often find new tips and tricks within.

I should also note that usually Stages One and Two take much longer than a week, but usually (as in every book since Voice of Crow in early 2006) the story is a complete mess.

Not this time. I have no idea why. Maybe it was because I've been thinking about this book, the central piece in the WVMP Radio series, since the first day I started writing what became Wicked Game. Maybe it was because I spent a full month outlining Bring on the Night and Lust for Life for the proposal to my publisher. I'll have to ponder the reasons why at some point.

But first, I must ponder the book itself! Off to stare into space, maybe eat some pistachios.

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Now playing: Noah and the Whale - 2 Bodies 1 Heart

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Tuesday, November 03, 2009

Winner of BoS & and an auction for "marked up" WICKED GAME

The lucky winner of a signed copy of Stephanie Kuehnert's BALLADS OF SUBURBIA is...tetewa! tetewa, please send your mailing address to me at jeri AT jerismithready DOT com in the next week. As always, only I and the author sending the prize will see the address.

Thanks to everyone who commented--now go read this fabulous book! :-)

Remaining open Blogtoberfest contests:

Carrie Jones and an ARC of Captivate
Jennifer Echols and The Ex-Games
PC Cast and Tempted
Jeri Smith-Ready and an ARC of Shade
Rachel Vincent and My Soul to Take or My Soul to Save (winner's choice)


There's a very exciting series of online charity auctions going on now through the end of December at Leave a Mark, and this week's offering is the first in my WVMP series, Wicked Game.

"Leave a Mark" is a unique opportunity to see behind the scenes of a book. Authors mark up their books with little tidbits about the scenes, what was on their mind when they wrote it, maybe how it changed from the original version. Think of it as a written "director's commentary."

All the proceeds of Leave a Mark go to First Book, an organization that provides new books to needy children. Kudos to Lauren and Chelsea, the book bloggers who set this up!

In the Wicked Game markup, you can find out things like:

  • which scene I wrote while obsessively listening to the Twin Peaks: Fire Walk With Me soundtrack
  • which real-life bully the character of Jolene was based on
  • which scene, as originally written, set off my editor's "cheese-o-meter"

Bids will run until Sunday night.

Wicked Game
was drastically reworked between submission and publication, so I might tuck a deleted scene or two into the book. Maybe even the one with Shane and Ciara in a supply closet. *whistles innocently*

Because my handwriting is so bad, the marks will probably be typed on labels stuck to Post-It notes on each page, with page numbers on each note in case they fall out. I'll also throw in an extra, non-marked up copy if you want to read the "theatrical version" first.

Bottom line: you can't get this anywhere else. If you're the least bit interested in how an author writes a book, you should check out these auctions. If you remember what it was like as a kid to have your very own books you could read again and again and again, you should definitely check out these auctions and help a worthy cause.

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Now playing: Cake - Open Book
via FoxyTunes

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Friday, July 24, 2009

Two interviews and book giveaways

I think as of this morning, I'm finally caught up on sleep! Yay! I need the brain clarity, since Bring on the Night is due in a week (technically next Saturday), and I have a lot of plot work to do. Little things, like what the hell does the villain want?

Also, for the first time I am finding it a major inconvenience that the vampires can't go out during the day. The timeline for Bring on the Night is so tight, and events happen so quickly, it's hard to wait for sunset to get stuff done. But I'll work it out eventually; somehow I always do. (Of course, with every book comes the fear that this time the plot will kick my ass instead of the other way around.)

Anyway, today two blogs are interviewing me (luckily with mostly different questions), and each of them are giving away a signed copy of any of my books. Winner gets to choose from my vast library of published work. (OK, maybe not that vast.)

At the first one, Smexy Books asks you to answer the question, "Kick Ass Chick or TSTL?" Since TSTL stands for Too Stupid to Live, it seems kinda like a "Cake or Death?" question to me. But whatever. Just go leave a comment to enter.

Then over at Star-Crossed Romance, you can find out Ciara's all-time favorite song (it might surprise you) and a little bit more about my YA series. Leave a comment to enter to win any of my books, signed and personalized by me!

I might drop in next week if I have any major news (well, I have major news, but I'm sort of saving it for an awards round-up post next month), but otherwise I'll be trying to finish Bring on the Night. Wish me luck and much caffeine!

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Monday, December 29, 2008

Pretty good year

Hey kids, it's time for that annual self-flaggelation ritual--the Goals Review!

On January 2 I posted my writing/personal goals for 2008. It was fun to look at them this morning, because I hadn't actually given them any thought since, er, February?

With that in mind, let's see how I did:

1. Rewrite The Reawakened (non-negotiable, since it's under contract)

Done! (see completed book for proof)

2. Write and rewrite Bad to the Bone (ditto)

Also done (see Amazon page for proof--sorry, no cover art yet. Believe me, I'm just as anxious as you are to see the final version)

3. Write six tie-in stories for Wicked Game

I wrote three: Monroe's, Spencer's, and Jim's. I plan to write Noah's this week and get it up some time in January, then post Regina's around the end of February and finally Shane's on April 5. Due to contractual deadlines, however, I might have to skip Noah's and/or Regina's and come back to them later in 2009.

4. Submit proposal for more vampire books

Almost there--the proposal is finished and just needs polishing. My editor is out until next week, though, so I'll probably just wait until then to send it in. Or send it Wednesday so I can say I did it in 2008.

5. Submit young adult fantasy proposal (completed Book 1 and series synopsis)

Done! My proposal consisted of just the first three chapters and a series synopsis, not a completed book.

6. Write and submit proposal for new adult novel/series

Um, no. No time or need for that, though a new idea has wriggled into my brain. Maybe I'll work on that in 2009 if deadlines allow. Or I could toss something together by Wednesday and send it to my agent, just to annoy her on vacation.

7. Fix screenplay ending and begin submitting it to contests again

Wow, really? I never even thought about this all year.

8. Design and build WVMPradio.com website and blog for Wicked Game's release

Done! It features playlists by each of the DJs, as well as links to buy WVMP merchandise. The vampires haven't done much blogging yet. Okay, any blogging.

I also made a Pandora station for each of the DJs, so you can hear more of the types of music they'd play.

9. Build MySpace pages for WVMP and characters

Done, with modifications. Ciara and Shane have MySpace pages, and I barely have time to keep them up as it is, so don't expect to see seven separate MySpaces in the future.

10. Attend 5 conferences/conventions/book festivals

Attended 6!

11. Sign stock at 100 bookstores

Not even close. Maybe 10-15. In the future, I'm not going to make this a priority--it takes too much time and gas to drive around to different bookstores. It's definitely worth it if I'm in the area and it's not out of my way, but I literally never had a free day (or several days) all year to just tool around Baltimore/DC signing books.

12. Do 10 non-conference appearances (signings, talks)

I did 12. Will probably cut back on these next year.

13. Do 25 online interviews/guest blogs

I did at least 27 interviews (some written, some podcasts/radio, and one television), 2 online chats, and 13 guest blogs.

This was insane. It stressed me out big time--part of me is still burned out from the constant self-exposure. More important, it interfered with my ability to meet my Bad to the Bone deadline. On balance, my editor was happy, because Wicked Game sold much more than they expected, and they think it was due to my full-court press online. But this year, I'm sorry to say, I might not be able to grant every interview request, due to actual writing commitments. I will consider every request, however, so don't hesitate to ask.

14. Read 50 books

I've read 48 so far, and am more than half finished with two others, so no prob.

15. Watch 50 movies

Nope. I hope to make it to 28, which will be twice as many as last year. We spent most of our Netflixes on TV shows (Deadwood, Rome, The Sopranos, Arrested Development), all of which were better than most films, so there's that.

16. Foster 5 dogs (not all at the same time)

Sigh...between deadlines and Meadow's back injury, this was not to be. Our last foster dog was Tommy. I hope to start fostering cats in 2009, but they stick around a lot longer, so my goal will probably be closer to 2.

17. Do my part to make sure my candidate becomes President

Sadly I could only give a small amount of money and none of my time. But I nagged my husband into volunteering, and he was really good at it! Also, I rooted very hard, and this time it worked.

18. Never be satisfied with "good enough."

I think, in the end, I accomplished this goal. At some of the interim deadlines for both books, I turned them in in a state that was as good as I could do at the time, but at the final stages (copyedits/AA's), I was really happy with the results.

For instance, I sent back copyedits for Bad to the Bone a week ago Friday, and it was the first time I really felt like it kicked as much ass as it could. It's amazing what a few tweaks here and there will do for the quality of the prose and therefore the story. I believe that the little details add up to a better reading experience, that no matter how explosive and exciting your storyline may be, it can always be enhanced by finding just the right word to describe it.

I guess I should start on my 2009 goals now. Sheesh, I haven't even started Item #1 on Monday's to-do list! I can't tell you what it is, because it has to do with a Supah Sekrit project I'll be spending January writing. Item #2 is polish the vampire proposal, and Item #3 is watch a movie about Bob Marley and brainstorm Noah's story.

Hey, maybe those should be my first three goals of 2009. Instant win!

Did you set goals for 2008? How many did you meet? (Note: this is not a contest.) What did you learn from them? Do you now doubt the sanity of your January 2008 self?

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Thursday, December 18, 2008

When Characters Revolt - guest blog and giveaway!

Sneaking a few minutes away from Bad to the Bone copyedits to let you know that I'm guest-blogging over at Paranormal Romance about the naughty little whippersnappers in my latest novel, The Reawakened. Sura and Dravek, I'm looking at you, you...book-taker-overs, you!

Leave a comment at the post (i.e., there, not here) between now and December 29 and be automatically entered to win your choice of one Aspect of Crow book (signed, of course!).

Now...back to the blue pencils.

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Friday, November 21, 2008

Blog Talk Radio group interview, guest blog, and Meadow update

Here's the link for the audio for yesterday's Blog Talk Radio interview, focusing on world-building (I'd hoped to have the embedded audio, but it's not working for me, so just follow the link if you wanna listen).

Also, today I've got blog duty at SFNovelists.com, where I bring up the question of not just where but when to set one's novel--specifically around holidays or certain times of the year?

Our greyhound Meadow just went into surgery to fix four ruptured discs in her back. We tried the "conservative" method, i.e., crate rest and pain meds, to no avail, so this was our last option. Her road to wellness will be a long one (6-8 weeks, maybe more), but the doc seemed optimistic about her chances for a full recovery. Not sure if we'll ever let her run again, and she's definitely hanging up her WWE title belt (do they wear belts?), but we'll be thrilled just to be able to take her for a walk without painful consequences.

Keep your fingers crossed for her!


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Now playing: Lisa Loeb - Do You Sleep
via FoxyTunes

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Thursday, November 20, 2008

World-building podcast today at 3!

I'll be on Blog Talk Radio today at 3pm Eastern discussing world-building with fellow urban fantasy authors Mark del Franco, Ilona Andrews, Kathryn Smith, Jordan Summers, and Cheyenne McCray, along with Harper Collins executive editor Diana Gill.

Fans can call the following number to listen from their phone and ask questions live during the show.

CALL IN NUMBER: (347) 826-9684
Or, listen to the show and ask questions online:

http://www.blogtalkradio.com/stations/AuthorsOnAir/TheBeyond/2008/11/20/Fangs-Fur-and-Fey-team-discuss-worldbuilding

If you go there now, you can set a reminder to receive an email just before the show starts. We recommend you check out the site ahead of time in order to login to the chat room discussion.

I'll post the whole thing here after it's over. Hope to hear from you!


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Now playing: Donovan - Colours
via FoxyTunes

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Thursday, November 13, 2008

Ending a series, and newsletter reminder

I'm the Affiliate of the Month over at my favorite bookstore, Mysterious Galaxy, which means I wrote a guest blog post connected to my new release, The Reawakened. "When 'The End' means THE END" discusses what it feels like to end a series on purpose (hint: there are smiles involved) and when an author knows it's time to say goodbye.

I'd love to hear your thoughts on when a series should end. If you don't have a MySpace account, feel free to discuss it here. I've copied the questions from that blog post here:

Is the "stand-alone trilogy" a thing of the past? Are you more likely to start reading a series if you know when it will end? Do you have different expectations for open-ended series versus those with a defined story arc? Does it depend on the genre or subgenre?

---

Monday I'll be sending out the Fall issue of my quarterly newsletter. As always, I'll draw two names to win a prize just before it goes out and announce it in the issue. This issue's prize will be an autographed copy of The Reawakened.

And that's not all! Newsletter subscribers will get a link to my new short story, "When the Music's Over," which depicts the weird and wild way Jim from Wicked Game became a vampire. I swear, I was not on drugs when I wrote it, except Aleve and Tylenol. The rest of the world will have to wait an extra week to read the story.

If you haven't read the previous tie-in short stories, here they are: "Crossroads" (Monroe) and "Rave On" (Spencer).

To subscribe, just put your e-mail address in the SIGN UP FOR JERI'S NEWSLETTER box on the sidebar over there. I'm getting really close to 1,000 subscribers, and I think there might be a special prize for #1,000. Good luck!

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Now playing: You on the Run - The Black Angels
via FoxyTunes

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Monday, October 06, 2008

Guest blogger Margie Lawson on Cognitive Style and the Editing Process

Hey everyone, today's guest is the amazing Margie Lawson, whose classes have helped me immeasurably with my craft. I've used her Deep Edits system and Empowering Character Emotions lessons at the final stage of my last three books, and I can't begin to express how great they are (the lessons, not the books--though if you think the books are great, Margie's system had a lot to do with it).

I'm seriously tempted to take this new course she's offering next week. I'm coming up on a deadline, but on the other hand, it's an edit/rewrite deadline, so the timing is perfect. Hmmm....

Today Margie helps us figure out whether we're right-, left, or whole-brained and how that affects our creative process. I took the quiz and scored a 9--whole-brained but leaning slightly to the left, which explains why I enjoy the rewrite stage more than the first draft "vomit" (my term, not Margie's).

Anyway, Margie is giving away free lecture packets (a $20 value!) to commenters on this blog. See the end of the post for details.

Hold Your Editing Horses! Cognitive Style and the Editing Process

Are you riding the editing horse with a saddle, or bareback?

By Margie Lawson

Writers – Humor me. Go with that image!

Readers – Humor me. Read along and learn how writers stretch the hemispheres of their brains to make their writing stellar.

Picture yourself riding a horse. Sitting comfortably on that saddle. Holding the reins. Galloping. In control. Enjoying your ride.

Now ---- picture riding a horse with no saddle. You’re leaning forward, riding bareback, moving with the horse, enjoying your wild ride.

Both riders love the rhythm. Love the exhilaration. Love their visceral responses.

HELLO Jeri’s blog readers who know me! You know I’m all about visceral responses. You know I love rhetorical devices too. Did you notice ANAPHORA in those last three sentences?

We could use those two images as metaphors for deep editing. You’re either Left-Brained, in charge of editing . . . or Right-Brained, and editing is horsing around with you, running you in circles, riding you ragged, or scaring you to death.

Multi-Cliché-Alert!

Does anyone want to rewrite that cliché-loaded sentence and WRITE IT FRESH?

If you take the challenge, post it for all of us to applaud your talent. ;-)))

I get Margie-points for backloading the cliché-riddled sentence with DEATH. In that sentence, DEATH is definitely the strongest word, the word that carries the most POWER.

I also backloaded with the power words FRESH and TALENT.

BACK TO DEEP EDITING:

Left-Brained writers usually love editing. Right-Brained writers usually have an aversion to editing. They’d rather head to the barn, grab a shovel, and muck out stalls that are knee-deep in horse poop.

I had to work to end the sentence above with POOP. Always go for power!

It would have been easier to write: They’d rather muck out horse stalls.

I wanted to use MUCK OUT – it’s scene-themed and evocative. Plus, the word MUCK sounds like the word it describes. Using onomatopoeia elicits an unconscious association to uckiness.

BUT – ending with STALLS, seemed weak. Hence, my rewrite, resulting in a longer sentence, anchored with setting details, ending with POOP.

Some of you know I go deeper with editing. The Deep Editing that I teach is editing to increase psychological power. Editing to hook the reader viscerally. Editing to create a page-turner.

You can add Deep Editing power in a gazillion ways. Once learned, it doesn’t take long before you’re writing to deep editing, adding power while writing your first draft or in an early quick-fix pass. You automatically think about power-builders like backloading, cadence, balance, motivation reaction units, visceral responses, nonverbals, writing fresh, and endless possibilities for rhetorical power.

Okay – it may take a few weeks to get to the automatic response level. :-))) BUT – it will happen.

Right-brained writers love the creative freedom of writing new scenes. They’re happy, happy, happy in THE ZONE. It seems like the happier they are in the fresh writing zone, the more they struggle and get mired in the editing process.

Left-brained writers may work harder at getting a new scene on paper. However, they’re nestled in their happy place when they edit and edit and edit, reworking the same passage for eons.

OKAY – Not eons. But it was a good place to slip in another rhetorical device. Hyperbole. ;-)))

Whole-Brained writers may have preferences for writing fresh or editing, but they have strengths in both hemispheres of the brain.

Are you wondering if you’re RIGHT-BRAINED, LEFT-BRAINED, OR WHOLE-BRAINED?

Take this COGNITIVE STYLE QUIZ – and you’ll soon know!

COGNITIVE STYLE QUIZ: Choose the one sentence that is more true.

  1. 1
    1. A. It's fun to take risks.
    2. B. I have fun without taking risks.
  2. 2
    1. A. I look for new ways to do old jobs.
    2. B. When one way works well, I don't change it.
  3. 3
    1. A. I begin many jobs that I never finish.
    2. B. I finish a job before starting a new one.
  4. 4
    1. A. I'm not very imaginative in my work.
    2. B. I use my imagination in everything I do.
  5. 5
    1. A. I can analyze what is going to happen next.
    2. B. I can sense what is going to happen next.
  6. 6
    1. A. I try to find the one best way to solve a problem.
    2. B. I try to find different answers to problems.
  7. 7
    1. A. My thinking is like pictures going through my head.
    2. B. My thinking is like words going through my head.
  8. 8
    1. A. I agree with new ideas before other people do.
    2. B. I question new ideas more than other people do.
  9. 9
    1. A. Other people don't understand how I organize things.
    2. B. Other people think I organize well.
  10. 10
    1. A. I have good self-discipline.
    2. B. I usually act on my feelings.
  11. 11.
    1. A. I plan time for doing my work.
    2. B. I don't think about the time when I work.
  12. 12
    1. A. With a hard decision, I choose what I know is right.
    2. B. With a hard decision, I choose what I feel is right.
  13. 13
    1. A. I do easy things first, important things later.
    2. B. I do important things first, easy things later.
  14. 14
    1. A. Sometimes in a new situation, I have too many ideas.
    2. B. Sometimes in a new situation, I don't have any ideas.
  15. 15
    1. A. I have to have a lot of change and variety in my life.
    2. B. I have to have an orderly and well-planned life.
  16. 16
    1. A. I know I'm right, because I have good reasons.
    2. B. I know I'm right, even without good reasons.
  17. 17
    1. A. I spread my work evenly over the time I have.
    2. B. I prefer to do my work at the last minute.
  18. 18
    1. A. I keep everything in a particular place.
    2. B. Where I keep things depends on what I'm doing.
  19. 19
    1. A. I have to make my own plans.
    2. B. I can follow anyone's plans.
  20. 20
    1. A. I am a very flexible and unpredictable person.
    2. B. I am a consistent and stable person.
  21. 21
    1. A. With a new task, I want to find my own way to do it.
    2. B. With a new task, I want to be told the best way.

To Score: One point for each time you answered "A" for questions: 1, 2, 3, 7, 8, 9, 13, 14, 15, 19, 20, 21

One point for each time you answered "B" for questions: 4 ,5, 6, 10, 11, 12, 16, 17, 18

Add all points:

  • 0-4 strong left brain
  • 5-8 moderate left brain
  • 9-13 whole brain
  • 14-16 moderate right brain
  • 17-21 strong right brain
I’m curious. HOW DO YOU EDIT? DOES YOUR COGNITIVE STYLE MATCH YOUR EDITING PREFERENCE?

What’s your process?

Do you procrastinate?

Do you edit in layers? Follow a plan?

What’s fun for you?

How do you know when you’re finished editing so you can send your work on to a contest, an agent, or editor?

Do you usually feel successful at editing? Do you typically edit some sections of your book more heavily (first third, turning points, last few chapters), or are you an equal-opportunity, deep-edit-all-chapters person?

I look forward to your input. And – you could win a Lecture Packet!

YOUR OPPORTUNITY TO WIN A LECTURE PACKET:

Anyone who posts a comment has a chance to WIN one of my LECTURE PACKETS (a $20 value). I’ll draw one name from every 25 people who post a comment.

Winners select one of the following Lecture Packets:

  1. Digging Deep into the EDITS System - offered on-line OCTOBER 13th, 2008
  2. Empowering Characters' Emotions - offered on-line in March
  3. Deep Editing: The EDITS System, Rhetorical Devices, and More - offered on-line in May
  4. Defeat Self-Defeating Behaviors - offered on-line in May

LECTURE PACKETS for each course are available any time. They can be ordered through Paypal from my web site.

Please visit my web site, www.MargieLawson.com , and click on Lecture Packets, to read the course descriptions.

I will respond to comments as time allows during my work day. I’ll be on-line this evening (Mountain Time).

Thank you for visiting Jeri’s blog!

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Tuesday, September 30, 2008

Interview with Mindy Klasky, author of the Jane Madison series

A few years ago I had the pleasure of meeting Mindy Klasky at Capclave. Now I'm proud to count her as a friend, but I'm not here to talk about her warmth, her disarming sense of humor, or her inexplicable faith in humankind.

About a year ago I read SORCERY AND THE SINGLE GIRL, the second in Mindy's Jane Madison series, without having read Book One, A GIRL'S GUIDE TO WITCHCRAFT. This is not something I would normally do or even recommend (books are in a certain order for a reason, after all), but I was getting ready to write Bad to the Bone and was studying second books in series to see how other authors pulled it off.

Not only did I enjoy Sorcery immensely ("fun and charming" says my book journal), but I absorbed the characters and situation instantly. It was a masterpiece of seamlessly introduced backstory. This is a particularly tough challenge when writing in first person narrative. There's always the "Why would she be thinking this fact right now?" issue, and in most books I just accept the seemingly inevitable awkwardness.

I actually marked up my copy with a pen, bracketing every place where Jane introduced another tidbit of her past, so that I could go back and study how it was done, because the overall effect was, "I really want to read Girl's Guide, but not until after I finish this book." I was so thrilled to find a Book Two that truly stood alone while at the same time felt like it was part of a larger narrative tapestry.

Anyway, the conclusion of the Jane Madison series, Magic and the Modern Girl, comes out today, and I can't wait to see if (please please please) Jane ends up with David.

Here's Mindy to tell you more about the book, the series, her exciting new project, and her plan to raise charity dollars by making us all fat:

Mindy Klasky is the author of nine speculative fiction novels, including MAGIC AND THE MODERN GIRL, the third volume in the Jane Madison series, about a librarian who discovers that she's a witch. You can learn more about Mindy at her website - www.mindyklasky.com - including reading chapters from each of her novels.

Available at Amazon and Powell's (and at most online and bricks-and-mortar bookstores near you!).

1. Why this book? What made you want to write this story?

I started writing the Jane Madison series because I wanted to play with a world that was light and fun, with a clearly defined supernatural influence. (I had just finished the dramatic, dark, magic-less Glasswrights Series, along with a trunked novel about a world-destroying conspiracy of evil-doers who torture children, murder scholars, and do other depressing dastardly deeds.)

Despite the lighter tone, Jane confronts some serious questions in the books - most often about the nature of friendship and family. MAGIC AND THE MODERN GIRL was specifically sparked by my interest in how friendships change over time, particularly as we get older and more settled, losing some of the angst that cements some ... younger relationships. I think that it's the perfect conclusion to the Jane Madison Series, wrapping up loose ends, while letting readers envision a future for their favorite series characters.

2. Which authors inspire you? Has that changed over time?

I have always enjoyed authors who build incredible characters, giving them realistic plots through which to navigate. Over time, my list of favorite authors has evolved to include more Young Adult authors (such as Justine Larbalestier and Scott Westerfeld.) I find myself veering away from authors who take political stances that I find distasteful, particularly when their politics stray into their storytelling. (Orson Scott Card? I'm looking at you!)

3. Why genre? Is there something special about science fiction or fantasy that draws you to write in the field?

I love the opportunity in genre to answer the "what if" questions. I could certainly write a searing indictment of contemporary culture, drawing on "ripped from the headlines" stories about spousal abuse, abandoned children, tortured prisoners, etc. I find it more intriguing, though, to structure my inquiries in speculative terms. Readers free themselves to think more broadly when the framework for their thoughts is patently impossible. Jane Madison readers can ask themselves about their relationships with their mothers, grandmothers, best friends, and romantic interests without needing to cut too close to the emotional bone. Readers are less defensive and more expansive when they are freed from the direct constraints of the real world.

4. What do you find most interesting about Jane Madison?

Jane is a bundle of contrasts and insecurities. Usually, she knows what she should be saying and/or doing; she just doesn't remember to state those words or take those actions in the immediacy of the moment. (Her judgment is even more impaired when the men of her dreams are around....) I enjoy structuring Jane's foibles - mostly because she is, at heart, an educated, eloquent, strong woman who acts in her own best interest and in the best interest of those around her. (That action becomes even more challenging in MAGIC, when Jane meets her true love, only to find that "the course of true love never did run smooth.")

5. You're a writer. What else are you? What are your interests? Hobbies?

I've been a lawyer and a librarian. I'm a wife, a daughter, a sister, and an aunt. In between juggling all of the professional and familial hats, I am an avid reader, a cat-wrangler, a baker, a quilter, a movie-watcher, a Boston Red Sox fan, and a scrapbooker. (Basically, I can't just sit and watch TV; I need to have something in my hands. I get most of my quilting done during the World Series.)

6. Did you have to do any special research for this book? What did you need to know in order to write it that you didn't know before? Do you have some special preparation you do for writing?

For each of the Jane Madison books, I've conducted a lot of "spot" research, doing quick online searches for information about specific crystals, individual runes, and other magical paraphernalia. Jane and her best friend often quote Shakespeare, challenging each other to identify the play, act, and scene. I usually start out knowing the quotation, but I need to research the specific reference. MAGIC is heavily tied to Shakespeare's THE TEMPEST, so I re-read the play in preparation for writing this volume. I can't write without a live connection to the Internet (although I have to restrain myself from checking my email every twenty-seven seconds!) In the rare times that I've tried writing without an Internet connection, I leave myself cryptic notes (e.g., "Find Stomach Crystal.")

7. I see a lot of food, especially baking, in this book. Is that something that really interests you? Or is it more driven by the needs of the story?

I've always enjoyed baking, although I am almost always dieting. Creating the Cake Walk bakery gave me a chance to indulge my sweet tooth in low-caloric ways!

This fall, my baking interest is going to grow beyond the four corners of the Jane Madison series: I'm launching a charity calendar that will include some of the Cake Walk recipes, along with favorite recipes from a variety of paranormal, urban fantasy, and mystery authors. All profits will go to First Book, a charity with the mission of getting underprivileged children their first books to own. (Details will be posted on my website shortly!)

8. Jane's best friend, Melissa, goes on numerous disastrous first dates throughout the series. Do you have your own share of first date disasters to tell?

Every one of Melissa's horrific dates has a seed of truth in one of my own first dates. (In one horrific year, I went on 28 first dates - a record that convinced me that I was perfectly happy to live the rest of my life alone. A couple of years after swearing off dating, I logged on to match.com (in response to prompting from my concerned, married brother.) I reluctantly completed my dating profile, clicked on "match" and the first profile that came up belonged to the man I married 17 months later.)

9. What are you writing now?

I've started a new urban fantasy series, the As You Wish Series. The first volume, THERE'S THE RUB, will be in stores in October 2009. It's about a stage manager who discovers a magic lantern with a wish-granting genie inside. Alas, her wishes don't go precisely as she plans....

10. Anything else that we should know about you, your writing, and the Jane Madison Series?

In addition to selling the Cake Walk recipe calendar, I am raising money for First Book by auctioning off a stunning, handmade necklace-and-earring set inspired by the Jane Madison series. The glass jewelry was created by a prominent librarian and jewelry artist specifically for this First Book fund-raiser. Details (including pictures of the incredible themed jewelry) will be posted on my website on October 1; the auction will close on October 31.

Thanks for taking the time to ask these questions! I hope that people will stop by my website and/or email me any questions at mindy@mindyklasky.com.


----------------
Now playing: Sad To Be Alone - Sonny Boy Williamson
via FoxyTunes

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Friday, September 19, 2008

Plot Synopsis Project Part Deux (and giveaway)

Today I'm undertaking a special project with some of my fellow SF Novelists authors. The Plot Synopsis Project was started by Compton Crook Award nominee Joshua Palmatier (author of The Skewed Throne, The Cracked Throne, and The Vacant Throne, the Throne of Amenkor fantasy series).

Joshua explains it here:
Essentially, I gathered together a group of authors who were willing to post an entry about their own plot synopsis writing technique as well as a sample copy of one of their own plot synopses OR post an entry about how they got published without using a plot synopsis, to show everyone how different people write their synopses, and that it isn’t necessarily required to get published.

So today I'm honored to take part in...Plot Synopsis Project II. Because in science fiction and fantasy, we loves us a good sequel!

At the bottom of this entry I've included links to the other PSP2 participants, whose synopses are undoubtedly better than mine, or at least shorter. But not self-deprecating-er, I bet.

I'll present the synopsis with which I sold the Aspect of Crow trilogy to Luna Books in February 2005. I sold the trilogy on proposal, which means I didn't write the entire book before selling it, but only three chapters and this eighteen-double-spaced-page synopsis.

It's fascinating (and rather hilarious) to see how much the eventual book changed from the original synopsis. With Book One, Eyes of Crow, the changes were relatively minor [and are presented in italics and brackets with self-directed snark].

With Book Two, Voice of Crow, almost the entire story changed from my original conception, because I came to my senses and decided, what the hell, let's NOT kill off the hero of Book One.

And the synopsis of Book Three (what eventually became The Reawakened, which comes out November 1) bears no resemblance whatsoever to the final version, other than the Descendant occupation and ultimate good-conquers-evil ending.

NOTE: It should go without saying that these synopses contain THE ENTIRE PLOT OF THE FIRST BOOK, which means HEY, SPOILER ALERT. I hope that even after reading it, you'll still want to read Eyes of Crow and its two sequels. (I swear, the books are better written than the synopses. Check out these excerpts if you don't believe me. Oh, and this one, too.)

***To raise those hopes, I'll give away one signed copy each of both Eyes of Crow and Voice of Crow to one commenter. I'll draw a name at random from my three blogs next Thursday at 11:59pm eastern time.***

Here we go--the synopsis as submitted to Luna Books in 2004. For those short on time, just read the stuff in italics.

-----

Aspect of Crow trilogy synopsis

by Jeri Smith-Ready

The trilogy covers the three major phases of the protagonist Rhia’s life and the coinciding evolution of her powers.

World background: Rhia lives in a pre-modern society [which is actually several thousand years in the future--can you believe I didn't even know that when I started? It can charitably be called 'improvisation.'] in which animals are revered, respected, and even worshiped in their iconic forms. Each animal has its own domain, similar to the members of ancient Greek and Roman pantheons. For example, Hawk is the messenger of secret truths; Turtle governs fertility; Bear and Wolverine are defensive and offensive warriors, respectively.

Each person, upon reaching adulthood, is bestowed a particular kind of wisdom and magic—their Aspect—depending on the characteristics of their own animal Guardian Spirit. One cannot choose one’s Spirit; the Spirit makes the choice, which follows neither lineage nor gender, but rather the needs of society. The powers evolve in three phases: the first phase lasts until the person becomes a mother or father, and the third and final phase begins when one becomes a grandparent. Some people manifest magic powers even before their bestowing but lack the wisdom to use them properly. One must possess and both parts of one’s Spirit power (Aspect): magic and wisdom.

Rhia’s village of Asermos has seen several generations come and go since someone possessed Crow magic, which influences the passage between this world and the next, particularly at the moment of death. In their youth, Crow people can sense if and when a sick or injured person is going to die or recover. Later, as their power grows, they can communicate with the dead. In the third stage of a Crow person’s life, he or she can cross over and bring back souls. While Crows are valuable to society, they are often isolated by others’ fear, as if they carry death with them wherever they go. On the other hand, people pay them tribute because they hope that someday the Crow will resurrect them or a loved one. [Mmm, not really. Resurrection is extremely rare.] Crows are also held in awe because the crow is the closest relative of the Raven, which represents the Spirit Above All Others, akin to a supreme god. No one has ever had the Aspect of Raven.

The people of Asermos fear the adjacent Great Forest. [Wow, I said that? Mostly it's Rhia who's afraid, because she's a scaredy-cat to begin with.] Particularly dreaded are the packs of wolves that lurk within and occasionally prey on livestock. The villagers hunt along the forest’s edges, but most only venture inside once: for the “Bestowing”—the time in each young person’s life when he or she must receive their Aspect from their Guardian Spirit.

The Asermons believe that the capacity for magic resides in every human being, not just those of their society and its kindred villages. Long ago, some of the Asermons grew arrogant in their humanity, splintered off and moved south to a gentler climate so that they could create a more “advanced” civilization, with bigger cities to hold their pride. In doing so, they lost their connection with the energy of nature—the source of all magic—and replaced it with their own works of technology, as well as a pantheon of human gods. The Asermons call these people the Descendants, a word with a double meaning—they are genealogical descendants, and in the Asermons’ view, they have descended or lowered themselves by spurning the old ways.

Book One: Crow Sees [Uh, actually, it's EYES OF CROW]

The novel opens as eight-year-old RHIA prevents her mother MAYRA from putting to sleep their sick dog. Despite all odds and signs to the contrary, she knows somehow that he will recover and even predicts the circumstances of his eventual demise, a prophecy that comes true a few years later. The villagers begin to ask her to diagnose their ill animals. Meanwhile, Asermons such as Rhia’s father LETUS [changed his name to TEREUS because a beta reader thought it could be pronounced "lettuce"] begin to worry that a war is approaching because so many young men are being called as warrior Bears and Wolverines.

When Rhia turns fifteen, the village shaman, GALEN the Hawk, comes to her family and tells them his suspicion that she has the rare Aspect of Crow. He tests her ability on his sick brother DORIUS. Rhia sees that Dorius will survive the illness, but then she receives a vision of his violent death, a vision she must keep secret. Galen asks her to journey to Kalindos, a forest settlement, to study with a Crow woman of another tribe. Though they share the same religion, Asermons consider the Kalindons wild and untrustworthy; for example, a Kalindon man named RAZVAN abandoned Mayra with twin sons several years before she married Letus.

Frightened both by her own powers and the thought of entering the woods, Rhia refuses. She resolves to shut down her mortality awareness, but the memory of her own near-fatal illness as a young child—when Crow visited her for the first time—haunts her still. The illness weakened her body forever, an effect exacerbated by her parents’ overprotectiveness and the chronic pain she still battles. Her years-long helplessness intensified Rhia’s desire to be useful to family and community, yet she is hampered by her sometimes inchoate fear.

On a late summer day two years after the incident with Dorius, Rhia is helping her best friend/lover ARCAS tend his flock of sheep in a secluded meadow. As predicted by his father Galen, Arcas has recently received his Aspect of Bear. [Or so we're told.] He possesses the strength, intelligence and acute senses necessary for a warrior, but also has an artistic side that he reveals only to Rhia. That afternoon, they make love for the first time. Afterward, her half-brother LYCAS arrives to tell her that their mother has taken ill. When she enters their home, Rhia’s awareness of Mayra’s impending death alights on her consciousness like a heavy bird. She finally accepts that she needs help coping with this power and decides to go to Kalindos for training.

During the half-year mourning period before Rhia can leave, Galen instructs her on the ways of Spirit. He teaches her to pray, meditate, and take spiritual journeys to prepare for her bestowing. These exercises, combined with her guilt over the fact that she could not help her mother cross over in peace, cause her to turn inward. Arcas begins to feel neglected. Fearing she will abandon him for another man after many months apart, he frees her of obligation to him. Rhia offers him a lock of her hair—now shorn close as a traditional sign of mourning—and a crow feather as a token of her faith, but he refuses it. Heartbroken, she leaves her home and enters the forest, with Galen as a guide.

Galen says that he cannot accompany her all the way to Kalindos, for she must fast and meditate for three days alone in the forest to claim her gift. She wakes one morning to find the shaman gone. The first night she spends sleepless, staring wide-eyed into the darkness, her empty stomach aching and her limbs stiff from the cold winter air. The second night an old, gaunt wolf approaches her, belly to the ground in supplication. She is terrified but takes pity and tosses it the last of her food. It accepts her offering and runs away.

As evening falls on the third day, when Rhia has reached the end of her strength, the forest around her turns to a place of enchantment, and the great Crow Spirit appears. Before bestowing its powers upon her, it guides her into a glade where the cold winds cease to blow and her fear drops away. There stand two trees—one lush and vibrant, one barren and scarred. The healthy tree, Crow says, is her own inner wisdom, resilience, and love of life. The barren tree symbolizes her powers’ self-destructive potential, which will manifest if she surrenders to the illusion that death makes life bitter rather than sweet. Rhia herself will become like the barren tree if she allows death to take over her life. After she pledges not to make such a mistake, the vision clears, and her Aspect is granted. Peace and serenity overcome her, along with a sense that someone is watching over and protecting her. She continues on the way to Kalindos.

A cloudy, moonless night falls, and a young man appears without sound or sight. He reveals himself as MAREK from Kalindos, sent by the Crow woman to guide Rhia the rest of the way. He has Wolf magic, which allows him to travel in silence and become invisible at night—in fact, he has been following her for the last night and day. His lupine nature frightens her, yet she cannot resist her attraction to this man who seems to know her so well. Their mutual lust is instant and all-encompassing—they make love in the dark before she ever sees his face, and it takes several extra days for them to reach their destination. In the meantime, he helps her overcome her fear of the dark, an essential element of her Aspect. Her encounter with the old wolf, he says, was a test of her compassion and will help her in return one day.

Rhia learns that Marek’s Wolf powers are in the second phase already, which means that though not much older than she, he is already a father. He tells her he had a child and will speak no more about it, except to say that he has no wife. His short hair and haunted look, however, suggest that he has suffered a recent tragedy. [He actually does tell her his mate (girlfriend) and son died in childbirth.]

When they reach Kalindos, she meets her new mentor, CORANNA. Rhia is relieved to discover that the Crow woman is anything but a menacing harbinger of doom; Coranna’s gentle humor and lightness of spirit put her at ease immediately. She gives Rhia a few days to grow accustomed to her surroundings before training begins.

Magic permeates the everyday life of Kalindos more so than that of her home village. Compared to the bustling riverside port of Asermos, Kalindos feels like a place of spiritual retreat. The people there live in close communion with the surrounding forest, which Rhia learns to regard with reverence instead of trepidation. A friendship blossoms between her and a young Wolf woman named ALANKA, who turns out to be the daughter of Razvan, the Fox man who abandoned Rhia’s mother and brothers over two decades ago. The warm, charming Razvan clearly loves Alanka and regrets the reckless irresponsibility of his youth. He explains that he left Asermos because Mayra’s family disdained him for being Kalindon. Rhia still has trouble trusting him, but she dismisses her uneasiness as a result of her family’s old wounds and her perceptions of Fox people (who possess powers of stealth and invisibility similar to the Wolves, but are also great liars and have none of the Wolf strengths of cooperation and social cohesion—Foxes are basically individualists who look out for themselves [And if anyone suggests a connection between lying Foxes and the cable news channel of the same name, I'll deny it until the day I die]).

Through Alanka, Rhia learns more about the Aspect of Wolf, the first phase of which grants certain powers of stealth as well as the ability to read others’ moods through the subtlest of body language. The Wolf wisdoms of devotion and loyalty also impress her as her relationship with Marek deepens into the emotional realm.

Her training begins in a baptism by fire. Before Rhia can help the dying, Coranna says, she must learn not to fear and dread death, and the only way to do that is to experience it herself. They will travel up the mountainside the following day, where Rhia will freeze to death and Coranna will bring her back to life. Naturally, Rhia is terrified at the thought of dying, even temporarily, but she pretends to agree.

That night, she escapes the village with Marek’s help. They travel on foot until morning, when she discovers that he has led her to the base of the mountain, where Coranna waits for her. Marek apologizes for his betrayal, but says his loyalties lie not with what Rhia wants but rather with what she needs. He accompanies them to the summit, both for emotional support and to prevent another escape attempt. Rhia weeps bitterly all the way up the mountain, until exhaustion overcomes her and Marek must carry her to the top.

[Screeching halt! In the final version, Rhia decides on her own to turn back and go through with the ritual--she is not I repeat NOT tricked by Marek. Because that would've made him a complete dick.]

When they reach the peak, Coranna removes Rhia’s coat, then chants and prays while Rhia paces, shivers, and curses both of them for their cruelty. A full day passes before her body surrenders its battle for survival. She lies down and immediately falls into the embrace of a warm, peaceful slumber. The chants of the Crone are the last sound she hears as a large black bird gently carries her into a place of light and freedom. The Crone pulls her back, though Rhia does not want to leave the Other Side and its peace. She discovers that dying isn’t half as painful as coming to life. Angry at her lover’s betrayal but even more ashamed of her own cowardice, Rhia rejects Marek. [Obviously this last part isn't true, since he didn't betray her (not a dick, remember?).]

Crossing over has changed Rhia in many ways. Newfound courage leads her to take risks she never would have considered before, and Coranna must warn her to be careful with her own life. She accompanies her teacher to deathbeds and assists in the ceremonies to help people cross over without incident. She learns to offset her new fearlessness with sensitivity for the dying and their families. At burials, Coranna speaks for the dead to deliver a final message, allowing people in effect to attend their own funeral. [Most of this was dropped or compressed for length.] Rhia will be able to perform this communication after she enters the second phase of her life, when she has carried a child inside of her.

Tapping into her powers makes Rhia unstable, unanchored, in a painless, dreamlike state—a welcome relief from the physical discomforts that have plagued her since childhood. [Also dropped for length.] Marek offers himself as an anchor to this world, and they reconcile. [No breakup = no makeup.] He convinces Rhia that she doesn’t need to prove her courage with reckless acts, that he accepts her as she is. He also divulges the truth about his late wife and baby—they died during a difficult childbirth nearly two years ago, and Coranna was unable or unwilling to bring them back. In his ongoing grief, Marek cut his hair not once, but many times, against the usual tradition. Furthermore, he became a parent before he was spiritually mature enough to move to the second phase; thus he struggles to control his Wolf powers (e.g., he has trouble not being invisible at night) and has been something of a rebel within his tribe. [All true, except in the final version he tells her this the day after they meet.] Since meeting Rhia, however, he has settled down and gradually learns to forgive Coranna and himself for the death of his wife and daughter. He wants Rhia to stay in Kalindos always, but they both know that one day she will have to bring her gift home to serve her own people.

Rhia begins to suspect Razvan in the recent sudden death of ETOR [ETAR], a Kalindon man, whom she had seen Alanka’s father threaten. She asks Coranna to communicate with the dead man to find information. Coranna remembers that Etor’s soul seemed restless and reluctant to let go of this world during his funeral. Because of his untimely death, his spirit still lingers enough to speak with Coranna when she tries to contact him. Etor warns of a “treacherous fox” before slipping away to the Other Side. [Etar is a little more direct than Etor--he comes right out and accuses a young Bear named Skaris, the brother of Marek's dead girlfriend.]

Coranna and Rhia decide to gather more evidence before confronting Razvan or revealing their suspicions to anyone else, mostly to avoid hurting Alanka. Rhia finds an opportunity to follow him alone through the forest, and is stunned when he meets with one of the Descendants to discuss the invasion of her home village. Razvan has long harbored a hostility towards Asermos for that community’s rejection of him. The Descendant takes the information Razvan offers, then slays him in cold blood. [Not really--he freaks out when Razvin shapeshifts into a fox in front of him. Also, Razvin tells the Descendant that Skaris tried to poison Rhia but accidentally got Etar instead.] Rhia feels his death and cries out. The Descendant chases her through the forest and easily catches her. She tries to fight him off, and he breaks her arm [dislocates her shoulder]. He is drawing his sword to kill her when they hear a low growl. The old wolf, the one she fed the night before her bestowing, leaps upon the Descendant. As they struggle, Rhia flees, her arm stabbing with every step. She is about a hundred yards away when a yelp, followed by silence, reaches her ears.

Panic and sorrow threaten to paralyze her, but she overcomes these feelings and acts to preserve her life, since her entire village depends on her survival. Realizing now that she can’t outrun the killer, Rhia evades him using her familiarity with the environment and the methods of stealth Alanka and Marek have taught her. Eventually the Descendant gives up and heads back to the river to return home.

Rhia runs to Kalindos and proclaims what she has just witnessed. Alanka is heartbroken at her father’s betrayal and death, but she alone vows to accompany Rhia back to Asermos. The rest of the village displays typical Kalindon isolationism and refuses to risk their paradise by getting involved in the upcoming war. Marek is torn between love for Rhia and loyalty to his tribe. Ultimately he decides to stay behind, infuriating Rhia. [No no a thousand times no. He takes off after Skaris to avenge the attempt on Rhia's life.]

After the village healer sets Rhia’s arm, the two women set off at full speed for Asermos. Along the way, Alanka’s horse is bitten by a poisonous snake, injuring her in its fatal fall. [This was removed for length.] Rhia uses all her strength, and then some, to lift her unconscious friend onto her own horse and continue on. They reach Asermos in time to save Alanka, who is overjoyed to meet her half-brothers Lycas and NILO for the first time. Upon Rhia’s warning, spies and scouts are dispatched to gather intelligence on the Descendants’ troop movements.

The people of Asermos prepare for battle, including the reluctant Bear warrior Arcas, who despite his vows to do otherwise, has remained faithful to Rhia in her absence. He gives her a beautiful wooden crow that he has carved in secret. Her bitter longing for Marek makes awkward the reunion with her former love. They turn their thoughts toward the upcoming conflict.

A major challenge is the enemy’s use of war horses, a concept that scandalizes the people of Asermos because it endangers the creatures. They want to disable the enemy horses without harming them, though Wolverines like Rhia’s brothers show little interest in fighting fairly or showing mercy. While the warriors work on tactics to remove the horses from the battlefield, Rhia devises a more innovative plan: tranquilize the horses before they even enter battle. On foot, the two sides will be better matched. But to steal into the Descendants’ camp requires someone with courage, stealth, and the willingness to sacrifice himself if necessary. Marek appears in time to declare his love for Rhia and volunteer for the assignment. He has brought with him dozens of Kalindons, including Coranna, who pledge their powers to aid Asermos. That night Marek sets out on his mission. [Some of these events are scrambled, but basically, yes.]

The Descendants invade the following day, without horses, yet Marek has still not returned from the enemy camp. Because the wounded outnumber the healers, Rhia and Coranna must perform battlefield triage, making instant judgments on who has a chance to live and who will die with or without help. Rhia’s brother Nilo is one of the fallen who cannot be saved, as is Dorius, just as her vision had shown her years before. She insists that the healers aid a few of the Descendants’ soldiers who would die otherwise. At last she comes upon a wounded Arcas, and a swelling of emotion clouds her ability to discern his chance at life. She tells the healer to save him, knowing that she may have given up hope for anyone else in his condition.

The two forces reach a stalemate until the Descendants reveal that they have taken Marek prisoner and ask a ransom of all the horses of Asermos. The villagers demand that the enemy prove that Marek is in their capture and still alive. He is brought forth, badly beaten and tortured, and Rhia must determine whether he will survive. When she faces him, he signals to her that he won’t be traded for such a high price, a price that would surely debilitate Asermos. She lies and tells the Asermons that he will die, anyway. The ransom is refused and the standoff continues.

Overwhelmed by the death and suffering around her and guilt-wracked over her complicity in Marek’s self-sacrifice, Rhia drifts into despair. [No! Over and over I planned to have her 'drift into despair' throughout this series. But when I tried to write it, it was depressing and lame. Anyway, she and Alanka and Lycas sneak into the Descendant army camp and rescue Marek.] But that night Crow delivers the vision of the two trees again, reminding her to fight for life. She wakes with a plan to free Marek from the enemy camp. When the rescue party arrives, Marek assists in his own escape, having exaggerated his condition to instill complacency in the guards.

On the way back to Asermos, they encounter Descendant troops, including the man who broke Rhia’s arm. In the skirmish, he tries again to kill her. Lycas knocks the Descendant’s sword to the ground. As they fight, Rhia picks up the sword and turns to her attacker just as he lunges for her. He impales himself on his own weapon, and feeling his death, she shrieks as if the sword had pierced her own body. [Mm, no. Marek stabs him while he's strangling Rhia.]

Frustrated at the loss of their bargaining chip and daunted by the villagers’ magic, the enemy warriors retreat, vowing to return. A few of the more seriously wounded enemies remain in Asermos.

Rhia and Coranna preside at a mass funeral. After reciting prayers for the departed, Rhia hears her dead brother Nilo’s voice. At first she mistakes it for that of his twin Lycas, but he is silent in his mourning, holding onto his sister Alanka for comfort. Rhia realizes that she has moved into the second phase of her powers, signifying that she’s pregnant with Marek’s child. She and Marek journey back to Kalindos together to marry and begin a new life.

Book 2: Crow Speaks [Voice of Crow]

[Here it's easier just to italicize the things that actually happened. IF IT'S NOT IN ITALICS, IT DID NOT HAPPEN. Look at this crazy tragic crap. You know, it's so bad, I'm just going to strike it through, lest anyone glance at it and think I actually wrote this.]

Rhia continues training with Coranna. In her conversations with the dead, she learns that the peace she experienced during her brief death is only part of the dying process—a temporary serenity to lull the person into leaving the old world behind. It can also be terrifying and unbearably lonely for some. Rhia confronts Coranna with this knowledge and accuses her of deception. The crone acknowledges that she only imparted a half-truth to her protégé, and explains that part of the wisdom of a maturing Crow person is knowing how to protect others from truths that would paralyze their lives. Rhia struggles with an internal battle between honesty and compassion and becomes fiercely protective of her newborn son DAMEN.

In retribution for assisting Asermos in the previous battle, the Descendants from Book 1 attack and overwhelm Kalindos, killing Coranna and Marek. Rhia flees back to Asermos with Damen, Alanka, and several other surviving Kalindons. She nearly wastes away, spending most of her time communicating with her dead husband, and becomes addicted to the pain-free death trances. Damen’s needs and the efforts and devotion of Alanka and Arcas eventually drag her back to reality. Later she marries Arcas and has a son by him as well, named THERON.

Book 3: Crow Flies [Wings of Crow and then eventually The Reawakened]

Enemy forces now occupy Asermos. They suppress the expression of the old, animal-based religion and force the Asermons to worship the humanlike gods they have constructed. Asermons continue to practice magic in secrecy, in defiance of the Descendants’ death penalty for doing so.

As they grow up, Rhia’s two sons Damen and Theron develop a burning animosity towards each other, and eventually the half-brothers fight over a woman and die from the wounds they inflict on each other.

[MY GOD, WHAT WAS I THINKING? HER CHILDREN KILLING EACH OTHER? WHO DID I THINK I WAS, SOPHOCLES?]

[Anyway, the rest of the synopsis for The Reawakened is also inaccurate, but it includes my original answer to the big Who Is the Raven? question, so if I tell you it's wrong, that eliminates one person.]

Aspect series possibilities: Other characters in this world could become the focus of later books, with titles such as Aspect of Wolf, Aspect of Eagle, etc. Many features of this world could form the basis for further volumes—issues such as:

What happens when someone strongly resists their Guardian Spirit and the Aspect it tries to bestow? [Covered to some extent in all three books.]

What happens when someone lives long enough to become a great-grandparent? [Nothing.] Is there a fourth-level power to these Aspects? [Nope.]

What happens when parents pressure their own children to reproduce before they’re ready, so that they themselves can achieve third-level powers? [Addressed in The Reawakened. Dire times call for dire measures.]

What happens when two people with the same Aspect fall in love? (When Rhia exhibits jealousy over Marek’s closeness to Alanka, he explains that sharing an Aspect makes two people more like siblings than sharing a parent.) [Addressed in The Reawakened. Hot stuff!]

------

And here are my fellow PSP2ers:

Alma Alexander (Will post on the 20th instead.)

Sam Butler

Diana Pharaoh Francis

Daryl Gregory

Simon Haynes

Jay Lake’s comments and his synopses

Kelly McCullough

Joshua Palmatier

Jennifer Stevenson

Edward Willett

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Next Release

Shade

Jeri's teen debut — May 4, 2010, from Simon Pulse, for ages 14 and up

First in a worldwide generation of ghost-seers, Aura's relationship with the dead changes when her boyfriend dies and comes back to haunt her.

More about SHADE

Pre-order at Mysterious Galaxy, Amazon.com, or Barnes & Noble.

Latest Release

Bad to the Bone

Bad to the Bone (sequel to Wicked Game) — now available in mass market paperback!

“Smith-Ready pours plenty of fun into her charming, fang-in-cheek urban fantasy” — Publisher's Weekly, starred review

Order at Mysterious Galaxy, Amazon.com, or Barnes and Noble.

Book 3, BRING ON THE NIGHT, will be released August 2010, and Book 4 will follow in August 2011.

Sorta new!

Wicked Game

“A colorful premise and engaging characters” — Library Journal

Wicked Game is now available in mass market paperback

Order at Mysterious Galaxy, Amazon.com, or Barnes and Noble.

About the author

Jeri Smith-Ready

Jeri Smith-Ready is a Maryland author of adult and teen urban fantasy.

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Photo © 2006 Szemere Photography

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    • First draft of SHIFT (sequel to SHADE)
    • "Soul and Body" by Death Cab for Cutie