Monday, May 12, 2008

Learning not to fly

Glad to be alive today to tell this story. To lighten things up, I'll splice in some quotes from Airplane, one of my favorite movies.

7:30pm Central Time, Chicago's O'Hare Airport: The place is packed with frustrated travelers. Flights to the east coast are delayed and canceled due to "air traffic control," which means, "weather" (but they're not allowed to say 'weather,' for some reason). Gusty wind and heavy rain are forecast for our arrival in Baltimore. Anticipating turbulence, I skip dinner (this becomes important later).

---

Steve McCroskey: Johnny, what can you make out of this?
[Hands him the weather briefing]
Johnny: This? Why, I can make a hat or a brooch or a pterodactyl...

---

We're sitting on the runway, and a customer service agent comes on the intercom: "Ladies and gentlemen, we're ready to go, except we're waiting for the first officer and the captain to arrive." I quip to my rowmates, "I hope they're not in the bar."

---

[as the plane prepares to take off]
Hanging Lady: Nervous?
Ted Striker: Yes.
Hanging Lady: First time?
Ted Striker: No, I've been nervous lots of times.

---

Flight is fine out of Chicago. For the second time today, I watch an episode of Chuck without sound. Anticipating turbulence, I order a seltzer water.

With the spontaneity only afforded to those who sit on the aisle, I decide to use the restroom. The moment I lock the door, the plane starts to shimmy (the two events aren't connected, as far as I can tell). A sign over the sink lights up--a sign depicting a stick figure getting her ass back to her seat. I obey. (Commercial air travel is a good place to exercise respect for authority.)

---

Steve McCroskey: This fog is getting thicker.
Johnny: And Leon is getting laaaaarrrrrger.

---

The turbulence is fierce, the worst I've ever experienced. I bury myself in a book and successfully ignore it.

Suddenly, we lose altitude. A lot of altitude. A moment later, the pilot guns the engine and we're ascending again, fast and hard. Assuming he's avoiding a cloud or something, I look out the window--

--and see the airport buildings fading below us. We just almost landed but didn't. It was a touch-and-go, but without the touch.

---

Dr. Rumack: Elaine, you're a member of this crew. Can you face some unpleasant facts?
Elaine Dickinson: No.

---

A voice comes out of the speakers: "Ladies and gentlemen, this is your first officer. As you can tell, we're not on the ground yet. [burst of nervous laughter from the crowd] We caught a little bit of wind shear on approach, so our captain decided to take us around again."

It turns out, a sudden wind shear dumped us a few feet from the ground, but it happened to be a part of the ground that had no runway. Only the pilot's lightning-fast reflexes saved us from a Very Bad Touch. He was definitely NOT in the bar before we left Chicago.

Quick aviation lesson: This diagram depicts a commercial aircraft avoiding wind shear by increasing speed and altitude. However, if you look closely you'll notice that the avoidance occurs far up in the air. When wind shear hits close to the ground, as it did to us, the diagram depicts a red X next to the runway. SPLAT.

---

Jack Kirkpatrick: Shanna, they bought their tickets, they knew what they were getting into. I say, let 'em crash.

---

So we're circling the airport again, making another approach. The storm is worsening. The plane is pitching and rolling, fighting the wind. Passengers are puking (thankfully not the guy next to me, who somehow SLEPT through the whole thing).

I bury myself in the book again, but I know there's a small chance that on our next approach the wind shear will drop us into the ground--this time with no feet to spare. I don't pray, but I do consider a few consequences of my demise:

1. My book would become a posthumous bestseller.
2. But the sequel would never be published.
3. My mom would never know I sent her Mother's Day flowers, since stupid FTD didn't deliver them.

---

[reading newspaper headlines]
Rex Kramer: Passengers certain to die!
Steve McCroskey: Airline negligent.
Johnny: There's a sale at Penney's!

---

We approach again, battling the wind and rain, fighting to stay straight. The plane is bobbing and weaving like Muhammad Ali. The ground gets closer, and closer. I think of how I love the city of Baltimore, but I don't want to become a permanent part of it.

We're over the runway, still rolling and pitching, and then...we're wheels down! All of them! Permanently!

We break into spontaneous applause. We hoot and cheer when the captain says, "Welcome to Baltimore" (even though he left off the 'hon'). The guy behind me announces that as part of a new bargain with God, he'll never fly again. Some continue to puke. My hands are shaking so hard, I have trouble calling my husband to tell him I'm alive. He's currently on I-95 in the pouring rain, on his own survival mission, so I leave my story until pickup.

We all thank the pilot on our way out.

Tonight I plan to watch Airplane while eating a box of Kraft Macaroni 'n' Cheese. I will also check to see if Amtrak goes to Tulsa.

---

Captain Oveur: Joey, have you ever been to a Turkish prison?

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Monday, January 28, 2008

16 random facts meme

Rachel Caine honored me with a tag on a fun new meme--actually, an extended version of the Eight Things You Don't Know About Me, which I posted last June.

The mission: list sixteen random personal facts or habits, and then pick twelve of my friends to tag. I'm going to cheat a little and start off with an edited version of my Eight Things:

1. Like last year's Miss Michigan, I have maimouphobia*. (Also coulrophobia, but everyone knows that.)

2. Favorite song: "Inside Out" by Eve 6. Singing along to this tune is a better aerobic workout than the Stairmaster, and much easier on the knees.

3. Sometimes when I'm in the self-checkout lane at the supermarket, I pretend I'm auditioning for a job.

4. Favorite classical composer: Franz Schubert. This is not interesting.

5. I once spent the night at Eugene O'Neill's boyhood home, the setting for his Pulitzer-winning play, Long Day's Journey Into Night. Alas, I neither saw nor heard the famed ghost of his mother, wandering the halls looking for her next morphine fix.

6. Secret Celebrity Crush: Ben Stiller

7. I'm obsessive but not compulsive, mainly because I'm too lazy to follow through on most thoughts. I might be having lunch with you, and 99% of my attention is focused on what you're saying (honestly!), while the remaining 1% is thinking, "The tablecloth is crooked, the salt shaker is at a hostile angle to the sugar bowl, and I'm dying to make an Olympic rings symbol with the condensation on the bottom of my water glass." But don't worry--I won't do anything about it.

8. In my head, the alphabet still looks like this.

Now, the new ones:

9. I have passed out once in my life--in Bruges, Belgium. Yes, I'll be seeing the Colin Farrell movie.

10. I wait to buy a Tori Amos album until the following one is released. No reason, it just works out that way, and so far I've been happy with the results.

11. I never turn my back on a saguaro cactus.

12. I directed Sartre's No Exit as part of my senior thesis. Only two out of the four actors learned all their lines.

13. Speaking of college theatre, I played Crow in Sam Shepard's Tooth of Crime. This was the pinnacle of my acting "career." Can you find me in the photos?

14. I only need two more random facts after this one.

15. One of my friends in college went out with a guy who went on to marry Amy Carter. She went on to be a lesbian. My friend, not Amy Carter.

16. The coffee is ready.

*that's fear of monkeys, for those too lazy to skim the article

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Wednesday, December 05, 2007

A world without writers



Let's not forget: all the special effects and pretty faces and--gasp!--marketing efforts would be nothing without words on a page.

Find out more about how you as a fan of film and television can help the striking writers at Fans for the WGA.

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Monday, September 10, 2007

A Spicoli moment

What Jefferson was saying was, Hey! You know, we left this England place 'cause it was bogus; so if we don't get some cool rules ourselves - pronto - we'll just be bogus too! Get it?
--Jeff Spicoli, Fast Times at Ridgemont High (1982)


I am, at this moment, learning about Cuba, and having some food.

Awesome. Totally awesome.

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Tuesday, April 17, 2007

Vamps vs. werewolves - talk to me


I am a Death Dealer, sworn to destroy those known as the Lycans. Our war has waged for centuries, unseen by human eyes. But all that is about to change.
--Selene, Underworld

The first testament says "an eye for an eye." - The second testament says "love thy neighbour." - The third testament ... Kicks Ass!!!
--Tagline, Jesus Christ Vampire Hunter

I'm on a panel next week at the RT convention entitled, "Why Can't We All Just Get Along?" It will explore, with all the coherence we can scrape together at 5PM on a Friday, why vampires and werewolves hate each other.

Since werewolves don't even exist in my vampires' universe (Humans who turn into puppies? How Key-ute!), my approach to the panel will be a little more abstract. Meaning, I'll just make it up, with your help.

So where do you think the animosity comes from? Is it a natural conflict between hyper-physical thugs and elegant Nancy Boys? Between the (un)dead and the (intensely) alive? It's got to be more than the hairstyles.

Maybe this hostility is an unfortunate stereotype, bludgeoned to a gasping, choking near-death by a thousand films and books. They're both creatures of the night, so why shouldn't they pal around? Even Democrats and Republicans can root for the same football team. If vamps and weres ever joined forces, who would they fight? Us, or some third, scarier entity, like Abbott & Costello?

Help me out here. There are no wrong answers.

(Everyone join in, but like a teacher, I'm going to call on people:

All you RPGers (Andrew, Sharon, Rob, other Rob) confront these issues when you build worlds and characters. Kathy, you've read a million paranormal books. Cynthia, you write about these bad boys, give me your perspective. Catie, Robin, other authors--make something up.

And Greg, don't tell me you haven't seen Underworld and Underworld: Evolution. Someone give me its mythology so I don't have to rent it myself. There's a limit to how far I'll go for a panel.)

*A-Z Update: "Credit in a Straight World," by Hole, heading into (appropriately) "Creepy Crawling" by Chumbawamba

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Friday, February 02, 2007

Happy Groundhog Day

Well, what if there is no tomorrow? There wasn't one today.
--Phil, Groundhog Day, 1993; screenplay, Harold Ramis


Cue annual pitch for my favorite film.

Roger Ebert named it one of his Great Movies. Transparency Now has a wonderful essay on it entitled "Breakthrough to the Real Self."

In short: Bill Murray + spiritual existentialism + large rodent = Cinematic Bliss.

It gets better every year.

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Sunday, July 30, 2006

Quarterfinal in Scriptapalooza!

My romantic comedy, Between the Lines, has just made the quarterfinals of Scriptapalooza, one of the country's biggest screenwriting contests. Out of more than 3600 entries, 334 were picked as quarterfinalists.

Think I'm making this up? Go to the Scriptapalooza site, click on "9th Annual International Screenwriting Competition, and then click on Quarterfinalists. Sorry there isn't a direct link.

In the past, production companies and agents have requested looks at winners, finalists, semi-finalists, and even quarterfinalists of this contest. But the coolest part to me is that now more than one contest has given me strong positive feedback on this script. So it's not just that one guy at Bluecat Screenwriting Competition who thinks it's cool (though not cool enough for the 10K first prize).

Semifinalists will be announced tomorrow, probably around 11:59 PM Pacific time, the way these things go. Obviously I'll let you know about that, as well as a recap of the RWA conference, which was, in a word, awesome.

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Monday, May 15, 2006

Anti-heroics

Yesterday I saw (saw, as opposed to watched, which means I actually had a real live cinema outing for the first time since, umm, Batman Begins last June) Thank You for Smoking. A smart, funny, pitch-perfect satire.

Thank You's protagonist is Nick Naylor, a lobbyist for the tobacco industry--the least sympathetic character you could imagine, aside from a dictator. Yet from the first moments, Nick had the audience on his side. He used his gift of spin to create a reality in which he was the hero and the usual do-gooders--an anti-tobacco crusading Senator, a spunky young female reporter--became the villains.

Such is the triumph of the well-drawn anti-hero. In a novel, we don't have access to an actor with the facility and luminosity of Aaron Eckhart, so we have to find other ways to charm the reader.

Perhaps this is why most anti-hero novels are written in first person. The reader is allowed no emotional distance to criticize the AH's motives and acts. Either they happily go along for the ride, or they toss the book away in disgust, unable to make that moral and imaginative leap.

For instance, right now I'm reading Stolen by Kelley Armstrong, a novel with a female werewolf protagonist. In the first third of the book, Elena kills several men who are trying to capture/hurt/kill her, hunting one of them down as a wolf and tearing out his throat (after toying with him to prolong the enjoyable chase). She then jokes about it with her fellow werewolves.

Obviously werewolves believe they don't need to adhere to the same morality as normal humans. Anything goes to protect the Pack. I can buy into that worldview for the time it takes to read the novel, but I can see where another reader might not be comfortable in Elena's head.
  • Who's your favorite anti-hero? (Mine is Lucifer in Requiem for the Devil, but obviously I'm biased. Hee.)
  • What makes them so sympathetic, you root for them to overcome the "good guys"?
  • Are you just as happy with an anti-heroine, or are there some dastardly deeds --lying, cheating, stealing, killing--you only condone in male characters?
I'm off for a long day of writing and pretending the Internet doesn't exist.

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Saturday, February 25, 2006

Celluloid sewage

Nominations for the 2005 Razzies have been announced!

Since 1980, the Golden Raspberry Awards have been "saluting" the year's worst pictures, and 2005 really made the judges dance with glee, offering up such exquisite crap as Deuce Bigalow: European Gigalow, House of Wax, and the Why-God-Why? Dukes of Hazzard movie.

A new category this year goes beyond the silver screen to honor the "Most Tiresome Tabloid Targets." Yep, Tom 'n' Katie are on the ballot, as well as Britney, Bride of Britney, and Spawn of Britney.

On the Razzie site, you can see a video of the classy and gracious Halle Berry, who was the first celebrity to actually show up to accept her award (for worst actress in Catwoman).

This is the first year I've been blessed not to have wasted any of my increasingly scarce free time on any of the Raspberry nominees (I'm still seething over Daredevil). On the other hand, I haven't seen any of the Oscar nominees either, other than Batman Begins, which was nominated for Best Cinematography (go Wally Pfister!!).

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Monday, February 13, 2006

Movies about writers

Sooner or later—usually sooner—every writer tells a tale about a writer.

After all, what could be more fascinating and entertaining than our struggles and triumphs? War? Love? Barracuda attacks? Mere mind candy compared to the agonizing wait for the agent’s phone call or the scalpel-sharp prick of a reviewer’s pen.

Screenwriters are no exception to this ultimate manifestation of “Write what you know.” They explore and exaggerate our idiosyncrasies and pathologies until sane mothers everywhere learn to dread the day when their child dons a black turtleneck, buys a Glimmer Train subscription, and announces, “I want to be a writer.”

Below is a by-no-means-exhaustive sample of films that chronicle the writing process and the psychological challenges we either overcome in glory or succumb to in shame.

10. Shakespeare in Love (1998, screenplay by Marc Norman and Tom Stoppard)

Playwright Will Shakespeare (Joseph Fiennes) struggles with writer’s block while creating Romeo and Ethel the Pirate’s Daughter. His muse arrives in the form of a cross-dressing actress cast as Romeo (Gwyneth Paltrow). Their forbidden love affair is the catalyst for an improved version of Will’s new play.

I include this movie not only for itself, but because it provided a framework for the 1999 short film George Lucas in Love (which I’d stick in here at # 9.5).

Lesson for writers: A goldmine of inspiration may lie inside your own broken heart.

9. Delirious (1995, screenplay by Lawrence J. Cohen and Fred Freeman)

Soap opera scribe Jack Gable (John Candy) gets hit on the head and wakes up inside his own show. After discovering he can control his new reality just by writing it, Jack makes his favorite character fall in love with him. Unfortunately, a new writer in the “real world” has other plans for the storyline, and their dueling realities make for some fun moments.

Unlike most of the other members of this list, Delirious isn’t a great film, but for writers it’s worth a rental just to watch Jack inhabit the scene he wrote while drunk. Imagine your worst typos come to life.

Lesson for writers: Authorial control is an illusion, even when you have a magic typewriter.

8. The Shining (1980, screenplay by Stanley Kubrick, based on the Stephen King novel)

Alcoholic novelist Jack Torrance (Jack Nicholson) takes a job as winter caretaker of an empty Colorado hotel, hoping the isolation will cure his writer’s block. His head does fill with creative ideas, courtesy of the hotel’s ghosts, but most of them involve chasing members of his family with an axe.

Lesson for a writer’s spouse: If you ever find reams of paper filled with “All work and no play makes Jack a dull boy,” get out of the house. Now. I don’t care if it’s snowing.

7. Sideways (2004, screenplay by Alexander Payne and Jim Taylor, based on the Rex Pickett novel)

Miles Raymond (Paul Giamatti) has written one long, serious, and deeply personal novel—The Day After Yesterday—which, at the beginning of the movie, sits on an editor’s desk at a small publishing company. During his weeklong adventure through Pinot Noir country with his friend Jack (Thomas Haden Church), Miles checks his voice mail every day but receives no news about the book.

Just when he has hit a low point both personally and wine-wise (the two men are tasting at the swill-producing “Frass Canyon), Miles reaches his agent on the phone. The ensuing scene will cause any writer to laugh and cry in the same breath and make other moviegoers give you funny looks.

Lesson for writers: Abandon all hope, ye who enter this life. Well, 99% of hope, anyway—you’ll need that one percent to write your second novel.

6. Wonder Boys (2000, screenplay by Stephen Kloves, based on the Michael Chabon novel)

Aging hippie, writing professor, and once-acclaimed debut novelist Grady Tripp (Michael Douglas) is 900 single-spaced pages into his sophomore effort with no end in sight. He and his agent (Robert Downey, Jr.) desperately need to end his seven-year publishing drought with a success.

But Grady has other problems, including his pregnant girlfriend (Frances McDormand), who happens to be the university chancellor’s wife, her recently deceased dog—shot by Grady’s protégé James Leer (Tobey Maguire)—and the protégé himself, who is a work of fiction in his own right.

Lesson for writers: The only thing harder to handle than failure is success.

5. Total Eclipse (1995, screenplay by Christopher Hampton)

This film centers on the obsessive affair between two 19th-century French poets: the brilliant teenager Arthur Rimbaud (Leonardo DiCaprio) and the older, somewhat less brilliant Paul Verlaine (David Thewlis). In their mad romp through Europe, they fight, make love, fight again, drink a oil tanker’s worth of absinthe, fight some more, and somehow find time to write some of the best poetry the world has ever seen.

Lesson for writers: If great art can redeem a cruel little twerp like Rimbaud, maybe a decent novel or two can make up for that time you cheated on your taxes. In the greater moral scheme of things, I mean.

4. Misery (1990, screenplay by William Goldman, based on the Stephen King novel)

Novelist Paul Sheldon (James Caan) is rescued from an auto accident by his “number-one fan,” Annie Wilkes (Kathy Bates). She holds him hostage and forces him to write another installment of his Misery Chastaine romance series, which he has come to despise. The most painful scene for writers to witness is not when she takes a sledgehammer to his foot but when she forces him to burn the only copy of his just-finished serious novel manuscript.

Lesson for writers: Killing off a beloved character may harm more than your royalty statements.

3. Finding Neverland (2004, screenplay by David McGee, based on the Allan Knee play The Man Who Was Peter Pan)

James Barrie (Johnny Depp) has just penned another theatrical snorefest when he meets the Llewellyn Davies family playing in the park. Together with the four boys and their mother Sylvia (Kate Winslet), he creates a series of make-believe scenarios that evolve into the play Peter Pan. A stunning opening night silences the critics and gossipmongers.

Lessons for writers: Ignore those who deride your imagination. You are more alive than they’ll ever be. Just as important: cherish those who believe in you.

2. Sunset Boulevard (1950, written by Billy Wilder and Charles Brackett with D.M. Marshman, Jr.)

William Holden plays Joe Gillis, a broke, failing, bitter screenwriter. He becomes involved with Norma Desmond (Gloria Swanson), once a silent film queen and now a narcissistic has-been wasting away in her mansion with only a butler and a chimpanzee for company.

With money and flattery, Norma persuades Joe to write her comeback script, which he knows will never be produced. Joe hates himself for becoming a hack and a kept man. He makes one last stab at real writing, but his pact with Norma has set him on an inevitable, tragic path.

How tragic? The first shot reveals Joe floating dead in a pool. He narrates the film from beyond the grave.

Lesson for writers: Hollywood can turn an artist into a whore faster than you can turn bread into toast—and the results are just as irreversible.

1. Adaptation. (2002, screenplay by Charlie Kaufman, sort of based on The Orchid Thief by Susan Orlean)

The ultimate meta-narrative, Adaptation. chronicles the difficulties Charlie Kaufman (Nicolas Cage) faces in adapting Susan Orlean’s nonfiction book The Orchid Thief.

Charlie’s neurotic self-talk will resonate with any writer. Faced with a blank page, he thinks in a voice-over:

“To begin. To begin. How to start? I’m hungry. I should get coffee. Coffee would help me think. Maybe I should write something first, then reward myself with coffee. Coffee and a muffin. Okay, so I need to establish the themes. Maybe banana-nut. That’s a good muffin.”

Frequent bouts of masturbation provide commentary on Charlie’s creative process as he struggles to do justice to Orlean’s work. Meanwhile his twin brother Donald breezily pens his own preposterous thriller script following the principles laid out in Robert McKee’s classic screenwriting guide Story.

A desperate Charlie seeks out the guru he once disdained. McKee instructs him to put more of life’s drama into his screenplay, and above all, “wow them in the end.” During the movie’s denouement Kaufman simultaneously employs and undermines every Hollywood movie trope—guns, drugs, sex, car chases, and characters growing, falling in love, and overcoming obstacles.

Lesson for writers: Charlie Kaufman’s genius lies not only in his talent and originality, but in the willingness to trust his own voice. You’ve got one, too, so let’s hear it.

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Saturday, January 14, 2006

The wildest minds of my generation

According to this article in Variety Magazine, Spike Jonze and Dave Eggers are teaming up to bring the Maurice Sendak children's favorite, Where the Wild Things Are, to the big screen. Jonze bestowed us with one of my favorite movies, Being John Malkovich, and Dave Eggers penned the novel/memoir A Heartbreaking Work of Staggering Genius (which truly is).

Sendak apparently has turned down several attempts to adapt his 338-word children's classic, but told the New York Times last year that "I am in love with [this adaptation]. If Spike and Dave do not do this movie now, I would just as soon not see any version of it ever get made."

So yay.

Posting has obviously been sporadic lately. I'm trying to write 8 pages/day on Bad Company and have just found out I'm going to get the edits for Eyes of Crow around the end of the month, so I need to get a bit ahead of schedule on the writing so I don't fall behind while I'm doing rewrites.

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Tuesday, December 06, 2005

Lewis lamented Disney's "vulgarity"

In a recently discovered letter from 1959, C.S. Lewis dreaded the idea of a live-action version of his classic fantasy tale, The Lion, the Witch and the Wardrobe.
Anthropomorphic animals, when taken out of narrative into actual visibility, always turn into buffoonery or nightmare....If only Disney did not combine so much vulgarity with his genius.
Come Friday people will gather around Lewis's grave to listen for that unmistakable spinning sound.

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Sunday, November 20, 2005

Top 25 Fantasy Movies

Each Friday, IGN Film Force adds to their 13-part series on the top 25 movies of each genre. I was glad to see that their Top 25 Fantasy Movies included films that included magic of the non-sword-and-sorcery type, films like Groundhog Day (one of my favorite movies, period), Babe, and Bill and Ted's Excellent Adventure.

If I could wave a--er, magic wand--and change the list, I'd include more like these (Big, Pleasantville) and give the boot to crapfests like Excalibur and The Clash of Titans.

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Thursday, November 17, 2005

The Man in Black

Occasionally a movie comes around that I promise myself to see, regardless of reviews. I try not to even look at the reviews, in case they're bad. Walk the Line, the new Johnny Cash biopic, was one of these movies.

This morning I couldn't resist peeking at RottenTomatoes.com to get an overview of the critics' reception. Walk the Line has an 81% rating, which means it's good. Very good.

Anyone who knows me well, or even has passed me on the street once or twice, knows that I hhhaaaate country/western music. Actually, it's only C/W in its slicked-up, botoxed, jingoistic contemporary manifestation that I hate. You know, the men and women whose butts have never graced a saddle, whose clothes and teeth are oh-so-shiny, and who claim that President Bush has a place in Heaven reserved right next to Jay-sus and anyone who says different should be strung up like one of them peen-yatas.

My grandmother used to say, "That Johnny Cash can leave his shoes under my bed any day." (When I was a kid, I thought that meant that he could stay over at her house, as I often did, so they could both fall asleep watching Perry Mason.) As I grew older, I pretty much forgot all about him (Cash, not Mason--okay, I forgot about him, too). A 2003 family trip to Memphis awakened my dormant fascination with all those country and blues legends that formed the infant rock 'n' roll--Cash, Carl Perkins, Jerry Lee Lewis, Roy Orbison, and of course, Elvis Presley.

I think "Walk the Line" is one of the most romantic songs ever written. It reminds me of myself and how, um, flighty--yeah, that's the word--I used to be before my sweetie came along and discovered a well of devotion I didn't even know I had.

As sure as night is dark and day is light
I keep you on my mind both day and night
And happiness I've known proves that it's right.


Everybody together now: Awwwww.....

Yeah, shut up. Anyway, I'll let you know how the movie is.

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Latest Release

Wicked Game

“A colorful premise and engaging characters” — Library Journal

Wicked Game is now available!

Order at Mysterious Galaxy, Barnes & Noble, or Amazon

About the author

Jeri Smith-Ready

Jeri Smith-Ready is a Maryland author of romantic and urban fantasy.

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Photo © 2006 Szemere Photography

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  • Proposal for new YA urban fantasy series
  • "Violet" by Hole